Natsu

gif by Genjitsuda

i hate you no more, not because i have totally forgiven you, i don't think i will ever do. let's just say that probably, yeah most probably, i just have reached my limit when it comes to hating you. it's not because i ran out of reasons to hate you (i know soon enough you'll stir up some trouble in the new world you're forcing yourself into) but i guess, i just ran out of energy to bite you. Too hurt to react, too numb to care, too tired to love and hate you at the same time. it's a whirlwind of emotions that took so much of me, while it took nothing of you. so i guess, it's about time for me to cut it out, let it go, snap out of it. after all the hate had gone, where a big space was left by faded bitterness and the love that once was there, the only thing left was nothing else but a bunch of good memories that would make me smile and remember - of things i can never bring back and things i can never have again.

A Forrest Full of Charm: A Review of the First Ever Stage Adaptation of Forrest Gump

           This is the first time that Forrest Gump was adapted for the stage and I was very fortunate to secure a ticket to see it with a good seat. Last June 8, 2014, I got to watch the matinee show of Forrest Gump at the Globe Theater. The play was topbilled by famous Johnny’s idol and KAT-TUN member Junnosuke Taguchi in the title role. This is Taguchi’s first ever starring role in a stage play. He was joined by other famous actors such as Aki Maeda (Jenny), Hitomi Takahashi (Forrest’s Mother) and Masahiro Takashima (played seven characters including Lietutenant Dan). It was produced and written by G2 who is known for other high-quality stage productions in Tokyo.

Photo from QLAP Magazine

Forrest Gump was originally a novel written by Winston Groom in 1986 and was turned into a movie in 1994 with Tom Hanks in the lead role.  The story revolves around the life of Forrest Gump who has a relatively low IQ as compared to other people. Out of such condition blossomed the naivite of a child and the purity of his heart that led him to great lengths – getting into college and playing for the rugby team, meeting two American presidents, joining the US Army, having a medal honor for saving his colleagues during the Vietnam War, and becoming an astronaut just to name a few.

 

Photos from QLAP Magazine

Highlights of the Play

It has very smooth transitions and props-change. For a play that has a very long and complicated timeline – starting from Forrest’s childhood up to the time that he becomes an adult – transitions are very difficult to pull off. The play also happens in different settings that require proper establishment of environment and milieu. The life of Forrest is told with a lot of historical events in the background starting from 1944 to 1986 such as the assassination of Kennedy, the Watergate Scandal, the Vietnam War, and the hippie counterculture. The stage props are not grand but enough to establish a particular setting. They’re simple, easy to move and very practical. The best part I have to say is when they staged the part where Forrest and Liuetant Dan are at sea, trying to catch some shrimps, when they encounter a strong storm that almost sinks their ship. The construction of the scene is quite simple. A blue cloth was put to cover the whole stage, and a small elevated platform was set in the middle to serve as the boat. At the four corners of the stage, there were people waving the blue cloth to create the image of waves. The lighting on stage, hitting the blue cloth created a beautiful imagery of ocean waves. It is not real but it gives you the right feel.

The live music adds a certain vibe to the show. All the music played within the whole show was actually played live. The musicians who played the keyboard, the violin and other instruments, also played supporting roles in the show. Sometimes they would play their instruments on the side, but on another time, they would leap on stage and throw some lines. This is a clever way of creating more people on stage. For a play like this, there are a lot of “extra people” needed to play as friends, classmates, rallyists, soldiers or other random people who do not have names but just need to be on stage to make a populated scene look more credible. Using actors as instrumentalists and vice versa is a clever idea to maximize the potential of the cast.

Photo from QLAP Magazine

Another strong point is Taguchi’s live playing of the harmonica. I was surprised at how well he could actually do it with just about four months of learning it. I am no music expert, but when I listen to it, sometimes, I feel like, some notes are wavering a little, but not so bad as to distract you from the beautiful music. For me, it is believable. He plays the harmonica like someone who does it as a hobby.

Though I like the live music so much, sometimes, I feel like it is not very consistent. There were some scenes that make give me the pseudo-musical feel, but then this feel was not sustained for the whole show. There was a scene showing Taguchi and his classmates singing and dancing in class, and a few ones with Jenny singing on stage with the new band that she had just joined. There is an incorporation of live music played on stage and off stage, which I like, but I would have preferred more on stage. I understand though that this play was written not as a musical so I can actually forgo this minor point. More so, the beautiful music of the violin and the harmonica overpowered my disappointment.             

            The imagery of the opening and the last scene created a perfect circle. I like how the play started and ended, basically because they happened in the same setting. The play opened with a scene with Forrest and his famous bench and it ended with him in the same place, but with Jenny and their little son. For me, the imagery created a full circle in the life of Forrest, from being a kid to growing up, losing Jenny and finding her again, from little Forrest to having Forrest Jr.

Best Scenes

            As I have mentioned earlier, the part when Forrest and Liutenant Dan are at sea is very good and heartwarming for me, not only because the scene is so beautiful with the blue cloth and the lighting on stage, but also because it is the part where Liutenant Dan finally realizes that he should be thankful to Forrest for saving his life in Vietnam.It is not too sentimental, not too dramatic, it has just the right emotions for me. But another good part is the ending. At the end of the play, the whole theater dimmed and small lights lighted up on stage like stars in the sky. Forrest delivered again the lines that he first said in the opening scene. The scene is so peaceful, seeing it as the last image of the whole play creates a light, heartwarming feel as you exit the theater. 

Photo from QLAP Magazine

Junnosuke Taguchi as Forrest Gump

            Taguchi is a very charming Forrest Gump – too charming, actually. This is a double standard though, it can either work for or against the production depending on what the audience is looking for. I am sure that there are other more experienced actors who can play Forrest better than Taguchi, but he put some of his own flavor in the character. His acting is sometimes theatrical, yet not contrived; very light and easy on the eyes; very smooth and amusing to see. Taguchi owned the role of Forrest. This is not the Forrest that I am expecting to see on stage when I entered the theater. I am expecting a different kind of Forrest, probably because I already have an image of another Forrest on my mind. But the thing is, Taguchi created his own version of Forrest Gump – the iriguchi-deguchi-taguchi-Gump if I may say. It is the overwhelmingly charming, lighthearted, beautiful Forrest. He may not be the best actor who can play the role, but he made a way to claim a particular version of Forrest as his own – enough to make me respect him more as an actor.

Note: Usually, when Taguchi introduces himself he says, "Iriguchi, Deguchi, Taguchi desu!" It literally means "Entrance, Exit, I'm Taguchi!" (^_^)

Niku Shokudou

Niku Shokudou is a small restaurant near the Takadanobaba Station that specializes in sizzling hamburger steaks. A set meal consists of rice, salad and a sizzling hamburger steak costs around Y800.  

What amazes me is how you cook the burger patty. There's a small round black metal on your plate where you can put a piece of the burger and wait until it cooks. Brilliant isn't it? Most of us are having trouble getting the correct texture of the meat we order: some like rare, medium-rare or well done. Having this small tool right on our plates solves the problem right away. We won't have the right to complain if we don't like the texture of the meat because we cooked it ourselves. ;) 

  

To get there, take the JR Yamanote Line and get off at Takadanobaba Station. Go to the Waseda Exit and find Becks Coffee (right beside the JR ticket office). From Becks Coffee, cross the street and walk straight ahead towards a long line of restaurants and cafes. Walk for a minute or two and you'll find the restaurant on your left side. Be careful though because the entrance to the restaurant easy to miss because it's so small and hardly noticeable. I posted the photo of the entrance above as your guide. The restaurant  is on the basement of this restaurant. It's quite small with only a few tables and chairs.

TIP:
For the hungry wolves though, this is not the place to go because preparing the order and cooking it might take a long time. But if you have time to spare for a good talk with a friend or a few laughs with the stranger on the next table, waiting will not be so bad.

Art Overdose: Art Fair Tokyo 2014

***originally published in the May Issue of Pinoy Gazette

Also published on Pinoy Gazette`s official blog: pinoygazetteofficial.blogspot.jp

Kuha ni Munetoshi Iwashita

Noong nakaraang buwan ay ginanap ang pinakamalaking art event sa Tokyo na pinakaaabangan hindi lamang ng art collectors at professional artists, kundi pati na rin ng mga nag-aasam gumuhit at mga gusto lamang makakita at mamangha sa iba't ibang klase ng malikhaing gawa. 

Ang Art Fair Tokyo 2014 na ginanap sa Tokyo International Forum ay nilahukan ng mahigit-kumulang 180 galleries, organizations at sponsors mula sa 28 siyudad sa Japan at iba pang bahagi ng mundo. Kabilang ang Embahada ng Pilipinas sa mga sumuporta sa event na ito. Sa nakaraang walong taon ng Art Fair, ito ang unang pagkakataon na mayroong lumahok na gallery mula sa Pilipinas. 

Dumalo ang ilang mahahalagang tao tulad ni Unang Ginang Akie Abe, maybahay ni Prime Minister Shinzo Abe, sa Kagami-biraki sake cask ceremony, na opisyal na nagbukas sa Art Fair. Sa loob ng apat na magkakasunod na araw ay itinampok sa Art Fair ang iba't ibang klase ng gawa, nasa linya man ng fine arts o applied arts kabilang dito ang Nihongo o Japanese-style painting, Yoga o Japanese oil painting, contemporary art, media art, pop art, mga litrato, at ilang antique at handicraft. Nagkaroon din ng mga panayam tungkol sa woodblock prints at media art. Nagsagawa rin ng guided tours para sa ilang mga bisita. 

Bukod sa indibidwal na mga gallery na nagpakita ng gawa ng kanilang mga sariling artists, ilan sa mga highlights ng Art Fair ay ang sumusunod:

Discovering Asia. Sa section na ito nakibahagi ang ilang mga gallery mula sa Korea, Taiwan, Hong Kong, Indonesia at Pilipinas upang ipakita ang mga gawa mula sa kanilang mga bansa kabilang dito ang 1335 Mabini na mula sa Pilipinas. Sila ang kauna-unahang Filipino gallery na nakilahok sa Art Fair.

Artistic Practice. Ang section na ito ay may temang “Modernity, Created by Japan” na siyang kinabibilangan ng mga modern painting na nagpapakita ng pagbabago sa tema at technique sa pagguhit ng isang bagong henerasyon ng Japanese artists. Kabilang ang ilan sa mga gawa nina Kaoru Yamaguchi, Soutaro Yasui, at Ryuzaburo Umezawa sa ipinakita sa Art Fair.

Tokyo Unlimited. Sa bahaging ito ipinakita ang iba't ibang applied art tulad ng handicrafts, pottery, ceramics at alahas. Ilan sa mga gallery na nakibahagi ay ang Toyama Glass Studio, gallery deux poissons, O-Jewel at Kanazawa Utatsuyama Kogei Kubo.

Art, Media and I, Tokyo. Kapansin-pansin kamakailan ang pagiging popular ng media art kung saan gumagamit ang mga artists ng kanilang sariling sistema, device at medium ng paggawa ng painting na iba kaysa sa pangkaraniwang ginagamit. Ang section na ito ay may layuning ipakita kung paano ang mga media art na gawang Hapon ay higit na maipapakilala sa global art market. Tampok sa exhibit na ito ang mga gawa ng ShimuraBros at nina Yuko Mohri, at Lyota Yagi.

Total Recall - Works of Mitsutoshi Hanaga (1959-1999). Itinatampok sa bahaging ito ang mga larawang kinuhanan ni Mitsutoshi Hanaga mula 1959-1999 na nagtatampok ng mga aktibidades ng mga avante-gard Japanese artists tulad ng grupong Hi-Red Center at nina Tetsumi Kudo, Akaji Maro at kanji Ito.

Pap-Aki Cafe Project. Gamit sa munting cafe na ito ang mga upuan at lamesa na gawa sa makakapal na karton na ginuhitan ng matitingkad na larawan ni Aki Kondo. 

Dinaluhan ang Art Fair ng halos 50,000 bisita mula sa iba't ibang panig ng Japan at ng mundo. Umabot rin ng halos isang bilyong yen ang halaga ng mga art pieces na naibenta sa loob ng apat na araw ng Art Fair. Patunay lamang ang ika-siyam na taon ng Art Fair Tokyo sa patuloy na pagiging globally competitive ng bansa at higit na nagkakaroon ng mataas na value ang mga malikhaing gawa mula sa Asya.